This was shot with no diffuser in front the LEDs, so each horizontal line looks very discrete. Nicely done!Ī little bit of graffiti peeking up from a puddle. In honor of Back to the Future day, Elton McAleer did a triple pixelstick shot, striping two separate flame tracks walking away from the camera and then the back of a delorean walking square to camera. Pixelstick was used to project the subaru logo onto the side of the car – pixelstick was facing away from the camera so you don’t see the original light, just the reflection. Courtesy of John Mooney.Ī rather simple statement that seems much more impactful when you consider that Chester Lindh almost certainly had to be wearing a set of waders to get it. Courtest of Eric Pare photography.īill Murray looking rather reflective. The flame image loaded onto pixelstick not only creates the realistic looking fire, but also casts a ton of lovely orange light over the dancer as well as the reflection on the ground below. Far easier (and more rewarding) in our opinion is to let pixelstick do its thing, spilling beautiful, organic light all through your exposure. Whether it’s the curving body of a car or the choppy surface of a lake, faking these kind of real reflections is extremely difficult to pull off convincingly. One of the best examples of this real environmental interaction is reflections.
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